About Us


Movi Pros are a collection of Film and Television Professionals with years of experience in the industry. We have a roster of Gimbal Operators and Technicians for your every need.


We have collaborated on numerous projects including Corporate, Documentary, Drama, Commercial, Short Film, Music Promo and Feature Film Production.  Many of these productions were met with critical acclaim and received numerous awards.


We can provide equipment in a dry or wet hire capacity (with or without crew).

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We first experienced Gimbal Technology working on a feature film in Colombia and we were blown away by it's potential and flexibility in delivering camera stabilisation and fluid motion. 


Whether your project would benefit from adding movement for a single shot or the entire shoot, we can provide a solution to improve production value.


We have access to Camera stabilisers such as the Movi Pro from Freefly and are flexible in the services we offer.

Kit List


Camera Stabiliser


Freefly Movi Pro powered by DJI TB 50 batteries providing longer shoot times and reliability. The Camera stabilisation system uses motors to create steady and smooth camera movement in any situation.


Dual Operation and Remote Head Operation


MoVi Controller (joystick or wheels) to control the MoVi by wireless technology, allowing the gimbal to be mounted on any fixed mount including cranes and tracking vehicles.

Support Rigs

All of the support rigs are designed to distribute the weight of the rig to make it more comfortable to wear, allowing for longer takes and operating times. Each one can be chosen and adapted according to the particular requirement of the production.

Easyrig with Stabil G2
Easyrig with Flowcine Serene
Ready Rig
Tilta Armour Man

Additional Kit


Rickshaw


Raptor Z / Flowcine Black Arm, spring loaded mounts to dampen bounce when attached to a securing point.


Flowcine Vibration Isolator with Moy fitting to join MoVi to the selected mount or fixing point.


DJI Battery Charging Station allowing fast charging and monitoring of battery condition.


Eartec wireless communications kit, invaluable when dual operating or working over distance.

Work

MONOS

FEATURE FILM


Our first foray into Gimbal World. Over 70% of the film was shot on the MoVi M15 in uncompromising locations, testing the kit to its limits! We learned how versatile and dependable the MoVi is. Shooting in a number of different configurations for handheld, dual operation, crane work, boats and even helicopters! Monos was met with critical acclaim and went on to win numerous film festival awards.


Director: Alejandro Alvarez

Producer: Santiago Zapata

DOP: Jasper Wolf

BENTLEY CONTINENTAL GT

CAR COMMERCIAL


MoVi Pro and MoVi controller for dual operation was used to operate the steadicam  mounted camera in a hand held capacity and also mounted on a tracking vehicle. Allowing us to achieve a number of different dynamic shots and camera angles.


Director: Al Clark

Producer: Rebecca Smith

DOP: Paul O'Callaghan

DREAM NAILS - KISS MY FIST

MUSIC PROMO


The entire video was shot on the MoVi Pro and many of the shots were filmed on roller blades, allowing us to achieve incredible tracking shots. The use of whip pans and exaggerated movements added to the overall aesthetic of the piece.


Director: Guen Murroni

Producer: Mathilde Marinet

DOP: Chris DuMont

BASTIEN KEB YOUNGER

MUSIC PROMO


MoVi M15 and MoVi controller for dual operation was utilised to shoot this award winning music video. Best Music video - British Urban Film Festival and Renaissance Film Festival.


Director: Bailey Tom Bailey

Producer: Savvas Stavro

DOP: Felix Schmilinsky

HMLTD - PICTURES OF YOU

MUSIC PROMO


The entire video was shot with the MoVi Pro, dual operated by control wheels. A comms kit was used for communication between the DOP and Operator, for handheld. The MoVi was also mounted on a dolly in a remote head configuration, enabling us to achieve smooth tracking and jib shots.


Director: Duncan Loudon

Producer: Fred Bonham Carter

DOP: Krzysztof Trojnar

TOMMY HILFIGER - LEWIS HAMILTON

COMMERCIAL


The Director of Photography wanted to obtain fluid camera movements while moving from high angle to low shots. This was achieved by using a MoVi Pro mounted to a Fisher 23 crane arm. The MoVi controllers joystick was used to operate remotely and simultaneously.


Director: Matt Baron

Producer: Kate Miller

DOP: Garrett Hardy Davis

CAROL

SHORT FILM


We shot the sequences using an innovative head mounted electronic viewfinder rather than the traditional onboard monitor. Reducing the weight of the gimbal and camera package and also allowing the operator to see the frame at all times regardless of the usual constraints of angle and accessibility.


Director: Jo Southwell

Producer: Rachel Gold

DOP: Dirk Nel

Why people believe in us

“Malcolm is a consummate professional to work with; both flexible and helpful understanding the production’s needs in prep and fast and diligent when it came to shooting. He’s a great man to have on any shoot.”
Fred Bonham Carter, 
Producer
“Working with Malcolm was an outstanding experience. His professionalism and dexterity using the MOVI took our film to another level.”
Santiago Zapata, 
Producer
“Malcolm and Adrian were instrumental in the speed at which we shot “carol”, calm and precise allowing us to achieve what we’d planned for the day with ease. An asset to any production with a great knowledge and understanding of what can be achieved with the movi.”
Dirk Nel, 
DOP
“Malcolm and Adrian operated the Movi on our music video and got some great run-and-gun shots. The video got featured on Nowness,  a special mention @ New Renaissance Film Festival and the award for Best Music Video @ British Urban Film Festival.”
Bailey Tom Bailey, 
Director

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London, United Kingdom

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